For decades, educators in general, and those with specific training in music in particular, have been touting the values of the experience. As research continues on the intrinsic value of having students exposed to formal music education, more and more people are understanding how the functioning of the human brain is enhanced by training in music.

In cities throughout Texas, including the larger cities of Dallas, Houston and Austin, music educators,

supported by the Texas Music Educators Association, have been touting the value of making music an integral part of a well-rounded educational experience.

But in times of budgetary pressures, is the case for music education — all too often seen as an easy way to cut costs — one that stands up to the scrutiny? Music educators may argue that exposing young student minds to the unique disciplines required of music may be almost as important as having health insurance — the real benefits come when you need it most.

One of the most basic questions concerning music education in Texas may be “does it help produce a better citizen?” A number of statistics would suggest the answer is a decided “yes.”

A report by the Texas Commission on Drug and Alcohol Abuse showed that secondary students who participated in band or orchestra had the lowest lifetime and current use of all substances, including alcohol, tobacco and illicit drugs. That alone, with the obvious connection to health insurance issues, might be enough to convince doubters. But even those students who don’t make music a part of their career appear to benefit from integrating the subject into their education.

In “The Paradox of the Silicon Savior,” author Grant Venerable points to an interesting fact: the very best engineers and technical designers in the Silicon Valley industry are, nearly without exception, practicing musicians.

Students in Dallas, Houston and Austin, and throughout Texas, are also more likely to do better in school when they embrace a curriculum that includes music, as suggested by an analysis of U.S. Department of Education data on more than 25,000 secondary school students.

The study, reported by the College Entrance Examination Board in 2001, indicated that students with coursework/experience in music performance and music appreciation scored higher on the Scholastic Aptitude Test. Specifically, students with backgrounds in music performance scored 57 points higher on the verbal and 41 points higher on the math portion of the SAT; students with backgrounds in music appreciation did even better: 63 points higher on the verbal and 44 points higher on the math, compared to students with no arts participation.

Those intending a future career in health should take note: a study by physician and biologist Lewis Thomas, “The Case for Music in the Schools” (Phi Delta Kappan, February 1994), discovered 66% of music majors who applied to medical school were admitted, the highest percentage of any group.

While there is evidence that smart students taking music excel, some studies suggest music education can also play a role in actually developing intelligence in Texas students as well as those elsewhere. Consider research by Dr. Timo Krings, who performed a study of pianists and non-musicians of the same age and sex. In the research, reported in Neuroscience Letters, no. 3 (2000), study participants were required to perform complex sequences of finger movements. A brain scan used to detect activity levels of brain cells demonstrated that the brain cells of musicians were more efficient at making skilled movements, an indication that musical training can enhance brain function.

The benefits of music education in developing intelligence appear to come early. In the Kindergarten classes of the school district of Kettle Moraine, Wis., children given music instruction scored 48% higher on spatial-temporal skill tests than those who did not receive music training.

How about success in life? And perhaps even more importantly, does music make us healthier?

Dr. Michael E. DeBakey, the world-renowned heart surgeon connected with the Baylor College of Medicine in Houston, is one who believes in the value of music education. “Studying music encourages self-discipline and diligence, traits that carry over into intellectual pursuits and that lead to effective study and work habits,” said Dr. DeBakey. “An association of music and math has, in fact, long been noted. Creating and performing music promotes self-expression and provides self-gratification while giving pleasure to others.

In medicine, increasing published reports demonstrate that music has a healing effect on patients. For all these reasons, it deserves strong support in our educational system, along with the other arts, the sciences, and athletics.”

Finally, Dr. Frederick Tims, a leading music educator, as reported in AMC Music News (June 1999), says those who embrace music are healthier as they age. “There were significant decreases in anxiety, depression and loneliness following keyboard lessons,” Dr. Tims said. “These are factors that are critical in coping with stress, stimulating the immune system, and in improved health.”

Increasingly, society is seeing the intrinsic benefits that those on the front lines of music education have already seen.

Researchers are now discovering how the mind responds to something as simple yet powerful as music, an indication that the future, from a health and wellness perspective, is a bright one. How you treat your mind and body when you’re young will certainly affect your health when you get older. Eventually, it will also affect your wallet as well.

The world in the music industry has a lot of issues and events that trigger critiques to give their opinions and views regarding a certain subject. These views are either constructive or destructive to the enthusiasts in the music world. There can be learning or lessons that can be derived from these opinions especially if the person that aired out his views has established credibility about the subject on hand.

This is one reason why Music Biz is an interesting site from which independent artists can visit. It is full of articles that relate to particular subject in the music industry. If an independent artist wants to gain ground and get updates in the music world, he can read various articles in Music Biz and know about what the music business is facing. The articles in Music Biz are not news though but are commentaries, opinions and point of views of music insiders. Music Biz, however, make sure that the articles added to their site are reasonable, related to specific incident, relevant and informative. The experiences and discussions in the articles may be subjective but one who wants to know the world of music can gain something from these articles.

Music Biz is a unique community site intended to cater independent artists, music enthusiasts, disc jockeys, music marketers, and other players in the music business. Unlike other community sites that feature an individual profile, Music Biz features articles based on certain issues concerning the music industry. These articles come from different sources or contributors who air out personal opinions and analyses on whatever subject they have related to the music world. Although this is so, contributors are encouraged to practice responsible journalism so as not to be too disrespectful to certain issues. Articles in Music Biz are not necessarily facts but more on critiques and scrutiny.

However, this is not the only composition of Music Biz site. One of their menus shows real news about different music events, artists, and the business as a whole. The news in Music Biz links to the original source of the news. Independent artists can get real updates and real news in the music industry in Music Biz. The news is up to date and new events and issues are added every now and then.

Aside from editorials and news, visitors in Music Biz can also read feature articles in the music industry. Feature articles present interesting and factual events and subjects. Independent artists can get their updates from these features as well. The feature article, just like editorials, can be contributed by anybody as long as it is credible and reliable. Proper editing is also done to ensure that it meets the Music Biz standard to categorize it as feature articles. Members who log in to Music Biz can also contribute reviews regarding existing articles and other issues.

There are more than just articles, editorials, news, or features that Music Biz can offer. There is forum for music enthusiasts, marketplace where visitors or members can buy CD or DVD copies, and reviews.

Robert Lauri’s Liberty album is now available in France from one of the main French music download websites. The album is also available from other major download websites worldwide and contains eleven varied titles, including two instrumentals. Each track has its own musical ambience, as have the tracks Je Ne Peux Plus, J’ai Si Peur, Toi, Mon Destin and C’est Lui.

The Liberty album was recorded in Paris and New York City and reflects the riches of those different cultures by mixtures of several musical styles. The Liberty project is the fruit of the joint efforts of Alain Pype, French sound engineer, and Robert Lauri. Three tracks, “Liberty” (“Liberté”) and “So Much Love, So Much Hate” (“Tant s’aimer, tant se haïr”) and “C’est Lui” (“it’s Him” ) are released as singles.

With the single “Liberty”, title and extract of the album composed and performed by Robert Lauri, the public sets off on the discovery of the new album of the same name – “Liberty”. This song is at the same time a mixture and an example of synergy between the Pop and Rap musical genres.

The lyrics of the French version are by Claudine Marousek-Dornhakl. The English adaptation is by Vivien Goldman. The English voice is that of Laura Carbonell Smith. The Rap part is written and performed by Robert Lauri’s son (Jessy), JNB.

The single “So Much Love, So Much Hate”, is one of the album’s varied moods where intense choruses rise in a hum, while a Scandinavian-style walk provides the backdrop rhythm.

More than 6.000.000 internet users have already discovered the videos of these titles, as well as an instrumental, Energy, Toi mon destin (You, my destiny) and It’s Him (C’est Lui) on different websites.

For information:
http://ca.video.yahoo.com/search/?p=ROBERT+LAURI&t=video
http://www.dailymotion.com/relevance/search/robert%2Blauri
http://ma-tvideo.france2.fr/search/?q=nouvel%20album%20robert%20lauri

Two albums with some hits and some till today, unreleased timeless songs are now also available: ” “If I Die By Chance” And “Still Believe In It” (“Si je meurs par hasard” and “j’y crois encore”)

Robert Lauri has been an author, a composer and a performer since his tenderest years. His musical career has been punctuated, for more than thirty years, by some records and a successful international career – both in the United States and in Europe – with the Alef Band.

For further information on the artist’s career:
THE OFFICIAL ROBERT LAURI WEBSITE
http://www.robert-lauri.com
http://www.myspace.com/robertlauri